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This was said by Lady Larmont, the widow[Pg 158] of an East India Director, who had achieved a reputation for beneficence in the district without spending very much money.,

The two gentlemen set out at a vigorous pace, leaving the poor old lady overwhelmed, motionless, and gaping with the alarm raised in her by this enormous obligation of discovering whether her niece had breakfasted with the Jellybottles or with other folks, where she was, and why she had not returned since half-past seven that morning.,

"I am going to Old Harbour Town to do a little shopping," answered Lucy, smiling at the Admiral and showing her milk-white teeth, the whiter for the red of her lips and the bloom on her cheeks. "Can I do anything for you, papa?",

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Mr Pledge walked the deck in charge of the watch. When Mr Lawrence appeared[Pg 309] Pledge saluted him in man-o'-war style, but Mr Lawrence's policy towards Pledge was the same as his policy towards Eagle. He would not sit at meals with him, or have anything to say to him outside the necessities of strict discipline and the ship's routine. Pledge saw pride, haughtiness, and contempt in the handsome face that was turned to him when Mr Lawrence condescended to ask a few questions about the ship's rate of going, and the like. But this much the Captain added: "Did you ever serve in a man-o'-war, sir?",

He turned back toward the house, then paused as the mellow "whirt-o-whirt" of a quail sounded from the sumach which bordered the meadow across the road. "Old Cock quail," he cautioned softly, "I wouldn't give that covey-call too often if I was you. Joe Scraff jest might hear you. Only note safe fer you to whistle is 'Bob White'—but you won't be whistlin' that till spring comes ag'in.",

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.,

"So, I don't shoot partridge neither," said Billy. "I don't blame anybody else fer shootin' 'em, remember, but somehow, I'd rather leave 'em alive."